Book Review: “Every Boy Should Have a Man” by Preston L. Allen

allen boy Preston_L_Allen

I think the best way to decide whether Preston L. Allen’s new novel Every Boy Should Have a Man might be for you is just to state what it is. It’s a fairly straightforward speculative novel depicting a world where humans are no longer the world’s dominant species. In the novel, some evolutionary wire got crossed somewhere, and we’ve ended up with humans and “oafs.” Oafs are basically humans that are thirteen feet tall, sometimes taller. In this new world, humans are the oafs’ pets. Sometimes, if the oafs get hungry, the humans become food.

Every Boy Should Have a Man begins when the “boy” of the title, an oaf named Zloty, finds a “man,” a human male, on his walk home from school and adopts him as a pet, in much the same way that a human boy might adopt a dog. The man the boy finds is a “talking man.” “Talking mans” are a luxury only the wealthy can afford, and the boy is poor. One day the boy is out walking his man, and a confrontation happens. Boy and man are spotted by the mayor’s wife. One of her many mans has run away from home, and she accuses the boy of stealing his new pet. The boy is heartbroken, and the man goes to live with the mayor’s wife. The next day the boy comes home from school to find a young female man, along this a note from his father: “Every boy should have a man.”

The story of this novel then, is the story of the boy and his new female man. The story eventually branches off to follow the boy’s man’s daughter. But rather than spoil the novel’s plot, I’ll state a few more facts. It turns out that the world of the oafs is separated by our world by a very tall staircase that ascends from the peak of a mountain in our world to the bottom of a cave in the world of the oafs. The reason we discover this is that a human named Jack, as in Jack and the Beanstalk, “adventurer, giant-killer and scholar” eventually enters the story. Also of note is that in the world of the oafs, gold is plentiful, and is used to weave clothes and make musical instruments, among other things. Thus, since Jack is able to move back and forth between both worlds, he is a wealthy man.

The jacket copy here promises “echoes of Margaret Atwood,” which must mean that this book is supposed to remind us of The Handmaid’s Tale. And the two books do have some very basic similarities. But The Handmaid’s Tale feels drawn from real-world trends, notably a kind of mid-1980s push-back against the women’s liberation movement that lasted from the late ’60s through the ’70s. Atwood’s female subjugation fantasy is horrifying, but what draws us in is and propels the plot is the idea that with a few false steps our real world could easily become something like the world Atwood is describing.


In the end, that’s what’s missing from Every Boy Should Have a Man. When I picked up this book, I was expecting allegory, but if the book is an allegory I couldn’t decipher it. For the first half of this novel, I thought the moral of the story might have something to do with humans and our relationship to dogs, something to do with the immorality of pet ownership. It speaks to Allen’s skill, and to the hypnotic notes he hit in the first hundred pages of this novel, that I was willing to follow him into such a story. Alas, those themes never really materialize. 

In an interview that Allen did at The Rumpus just after this book released, he was asked what inspired the story. In Allen’s response to the question, he said he tries to stick to the Write What You Know dictum. “So what do I know? Gambling, Evangelical Christianity, and in this novel, a world in which humans are divided into two species. The big and the small, the powerful and the powerless, the great and the not so great, the haves and the have nots, those who oppress and those who are oppressed.” That’s a pretty good summary of what I was expecting from this novel–riffs on slavery, civil rights, class, poverty and the like. I wasn’t sure those riffs existed, but you might want to pick up this compulsively readable little book for yourself and see what’s there. 

Every Boy Should have a Man is available via Clevenet, so reserve it there and come on down to the library to pick it up. The Handmaid’s Tale is available on audiobook, as an e-book, or in good old fashioned print. Both of these books are sure to inspire much good conversation, so read them with a friend, or swing by the reference desk when you’re done reading, where your faithful correspondent Travis Fortney is always happy to talk about books. 

Neighborhood Happenings: Auditions at the East Cleveland Theater

 m for murder

Are you a secret thespian? How about your son or daughter? Or zany old aunt Milly? If so, you’d better get over to the East Cleveland Theater TONIGHT between 7-9 P.M. or TOMORROW at that same time, because auditions are going on for “Dial ‘M’ for Murder”, the popular stage play on which the motion picture directed by Alfred Hitchcock and starring Grace Kelly was based.

m for murder 2

And on your way back from the audition, be sure to stop by the library. “Dial ‘M’ for Murder” is available in our catalog in both DVD and Blu Ray formats. We’ve also got the entire Hitchcock oeuvre, and biographies galore of your favorite actors of screen and stage.  Swing over to the reference desk and we’ll be more than happy to put it any or all of these items on hold for you.

Calling all Bards of East Cleveland!

Put the East Cleveland Public Library’s new Creative Writing Workshop on your calendars now!

Creative Writing Flyer

Tuesday, September 9th, 6:00 PM, at the library. We’re hoping to build a supportive and dynamic group of writers, and we’re going to have a lots of fun. Email Travis Forntey at with any questions about the group, or stop by the reference desk!  

From our Shelves: “The Yellow Birds” by Kevin Powers

There’s a long stream-of-consciousness passage toward the middle of former soldier Kevin Powers’ haunting, disturbing and downright gorgeous debut novel about the Iraq War that acts as something of a thesis. “…really, cowardice got you into this mess,” says his narrator, 21-year-old John Bartle, speaking about himself in the second person, “because you wanted to be a man and people made fun of you in the cafeteria and hallways in high school because you liked to read books and poems sometimes and they’d call you fag and really deep down you know you went because you wanted to be a man…”

Kevin Powers yellow birds

The unsettling sentence that quotation comes from is more than a page long. The Yellow Birds takes the form of a fractured narrative, taking place both during before and after the war, hurtling toward and away from the traumatic event at the book’s center, and in the passage in question Bartle is back home in Virginia and reflecting. In the war, his friend Murph has died, and the circumstances surrounding his death have pushed Bartle to the brink, where he will either come to terms with the legal and psychological consequences of his actions, or let those actions define and destroy him forever.

I chose that passage to highlight for a few reasons. First, it states very simply what The Yellow Birds is. It’s a novel about a poet–an awkward, smart, artsy kid who loved books–who enlisted in the Army at seventeen, witnessed the horrors of war, and returned to tell the tale. The second reason I chose that passage is that it’s far from perfect. It’s hard not to get lost in a page-long sentence, and hard not to question whether there wasn’t a more concise and to-the-point way to express the emotions driving the prose. That’s the way The Yellow Birds as a whole is, too. It has its flaws–it moves at a very meandering pace, and Powers sometimes seems to get a bit lost in longer passages, giving the words themselves the run of the show and drawing too much attention to the writing–but to get stuck on these imperfections is to miss the point. The fact is, this sharp little novel’s existence is something of a miracle, and I don’t believe that’s overstating it.

The obvious comparison to be drawn here is Ernest Hemingway’s war novels and, intentionally or not, Powers invokes Hemingway again and again in these pages. But this is much more than facsimile. Powers allows himself a structure that it’s hard to imagine Hemingway using, includes sentences that Hemingway would likely have cut for being too flowery, and gives his narrator the freedom to slip into stream-of-consciousness. It’s brutal, unflinching, and beautiful. We all have our opinions about Hemingway, but one point that can’t be argued is that the man was a worker. He believed in his writing as art, and he strove for the eternal. He slaved over his sentences. Here is Powers describing a firefight:

hemingway arms hemingway bells

Noctiluca, I thought, Ceratium, as the tracers began to show themselves sifted in twilight, two words learned on a school field trip to the tidewaters of Virginia that appeared as I was shooting at the man, paying no attention then to the strange connections made inside my mind, the small storms of electricity that cause them to rise and then submerge, then rise again. A fleeting thought of a young girl beside me on a dock, back there the twilight coming on, the crack of tracers as I shot and shot again, the man crawling from his weapon until he stopped and his blood trickled down the river in its final ebbing tide, brief as bioluminescence.”

By taking as much care with his sentences as Hemingway (or Cormac McCarthy, Richard Ford, Marilynne Robinson) and aiming to create something eternal, Powers has made a profound statement: our present America is worth this obsessive devotion to detail, the wars in Iraq and Afghanistan are worth the work it takes to express something so complex as art, and its heroes, the young men and women fighting it, deserve to be elevated in the same way that Hemingway elevated the heroes of his wars.

This book made me sad that Powers had to fight in this war, but very happy that he was there to bear witness and bring this story back with him. It also made me feel patriotic, proud of the tradition of American letters, and proud to be participating as a reader.

The Yellow Birds by Richard Powers is shelved in East Cleveland Public Library’s fiction section under “P”. Come on by library, stop by the reference desk, and I’ll be happy to show you where it is. 

Review of The Other Typist by Suzanne Rindell

ImageHave you ever read a book that left you scratching your head and wondering what the heck you just read when you finish it? That happened to me last night. I devoured The Other Typist by Suzanne Rindell in a matter of days.

The Other Typist was set in 1925, Prohibition-era New York City. Rose Baker, an orphan who was raised by nuns, is a typist in a police precinct. She transcribes confessions given by criminals. She is conservative and plays by the rules. Until Odalie starts working at the precinct, too. Rose quickly becomes obsessed with the daring Odalie, with her bobbed hair and seemingly never-ending supply of cash. Odalie outfits Rose in short dresses, takes her to underground speakeasies, and convinces her to dabble in some illegal behaviors. In the end, Rose has to decide just how far she’s willing to go to keep her friendship with Odalie. Or does she?

I’m a huge fan of unreliable narrators. I’ve always liked not being sure if the narrator is being truthful. But I think Rose is the most unreliable narrator ever. I have some theories about Rose and how the book ended, but I don’t want to spoil anything. All I’ll say is that I haven’t stopped thinking about the ending of the book since last night!

Here’s a list of some of my favorite books featuring unreliable narrators:

Gone Girl by Gillian Flynn

Before I Go to Sleep by SJ Watson

Fight Club by Chuck Palahniuk

The Murder of Roger Ackroyd by Agatha Christie

The Yellow Wall-Paper and Other Stories by Charlotte Perkins Gillman

A Reliable Wife by Robert Goolrick

Town Hall Meeting at East Cleveland Public Library: Impact of Ohio House Bill 59



Monday, August 5, 2013
Greg L. Reese Performing Arts Center

East Cleveland Public Library encourages the citizens of East Cleveland to attend a Town Hall Meeting, which addresses issues from Ohio House Bill 59, the State of Ohio’s Main Operating Budget for fiscal year 2014 and 2015. Refreshments will be served.


  • Senator Nina Turner (D): Ohio Senate District 25
  • Representative Sandra Williams (D): Ohio House District 11
  • Representative Armond Budish (D): Ohio House District 8
  • Special Guest Moderator Reverend Leah C.K. Lewis


  • Cuts of Ohio’s School Funding: Including Funding for Higher Education
  • Abolishment of Women’s Rights: Including Provisions Restricting Women’s Access to Adequate Healthcare
  • Increases in Sales and Property Taxes
  • The Elimination of Funding for Job Opportunities and Workforce Training


  • On site registration and sign-in will take place from 3:00 pm – 5:00 pm
  • Pre-registration is available at
  • The Debra Ann November Learning Center will be open to the community for the viewing of the Icabod Flewellen African Art Collection

Please plan to attend!

Summer Reading Program is Here!

It’s summer time, and that means Summer Reading is here! East Cleveland Public Library offers programs for patrons of all ages, so make sure you get reading this summer! The Summer Reading Programs last until August 4, so don’t miss out.

The Children’s Summer Reading Program, Dream Big, Read! is open to children ages 6 to 12. Register in the Children’s Department. Each child will create a reading log and add to it as they read. Parents are encouraged to participate in the Adult Summer Reading Program and compete with their children. Reading a book to your child counts as an entry for the Adult Summer Reading Program! Look for a puppet show happening this summer, too!

Teens, get ready for Own the Night! Register in the Teen Department and start on your reading log. Participants will be eligible for weekly prize drawings on top of the grant prize drawing! The Teen Summer Reading Program is open to teens ages 13-17.

Adults, get ready to read and rate books to be entered in the grand prize drawing. After you’re done reading a book, just pick up a review slip at the reference desk and rate the book you just finished. There are no limits to the number of entries you can submit, so the more you read, the greater your chances are of winning! Between the Covers, the Adult Summer Reading Program, is open to participants 18 years of age or older.

We look forward to seeing you at the library this summer. Happy reading!